“Imagine an intimate room full of young children playing decorated DIY shakers and other instruments they’d just learned to make from beans, beads, macaroni, water bottles, and rice; or an audience at a senior citizens’ center cheering on an all-Black string quartet,” writes Janaya Greene in Tuesday’s (3/10) Chicago Reader. “This is the kind of classical music experience that D-Composed is creating for Black people in Chicago…. The quartet plays a wide range of material … and it prefers small rooms—cafes, galleries, private ballrooms, Chicago Park District facilities.… Every D-Composed concert … follows one rule: the music must be written by Black people…. Everyone in the group plays in other ensembles…. The quartet recently launched D-Composition, an event combining spoken word and music…. It debuted in February 2020 at the Michigan Avenue Apple Store…. ‘A lot of what D-Composed is trying to combat is how segregated Chicago is, and knowing how Chicago has treated the Black community and the arts,’ says D-Composed founder and executive director Kori Coleman. ‘Our focus is making sure we’re in these communities and we have a presence and we show that we see you.’ ”
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