“Beginning with a single B flat, Samuel Barber’s ‘Adagio for Strings’ is a piece of music often associated with mourning,” writes Joshua Barajas in Monday’s (1/18) PBS. “In a musical tribute to COVID victims on Jan. 17, as the national death toll approached 400,000, Washington state’s Vancouver Symphony Orchestra performed the sorrowful work inside a largely empty Skyview Concert Hall and for an audience online. Guest conductor Sarah Ioannides spoke briefly before the performance, saying that Barber’s ‘Adagio’ … ‘is as meaningful today as it ever was, with its epic journey from quiet, soft passages of reflection to searing pain.’ … ‘But it ends on a note of hope and optimism reflecting today’s world.’ … Ioannides said the Vancouver Symphony Orchestra’s performance was dedicated to ‘all those who face suffering,’ including families who have lost loved ones to the virus, ‘and also to the many who’ve gone out of their way to help others through the pandemic.’ Executive director Igor Shakhman said in an email that the ‘pandemic has been unyielding in its scope, in tragedy and loss. We grieve for those who parted too soon and mourn with those who were left behind.’ ”
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